Showing posts with label notes. Show all posts
Showing posts with label notes. Show all posts

Monday, March 12, 2012

Who Doesn't Like Pop-Up Books?

The kind of people who would kick puppies and cheat charities and snort veritable mountains of cocaine, that's who.

Here at Quill Studios, we are up to our eyeballs with ideas for pop-up books.  Well, maybe not eyeballs...but certainly our regrettable tramp stamps.  At any rate:  ideas?  We got 'em.  The know how, not so much.  Of course, we do book bindings, but we're not magicians or sorcerers or necromancing foul-mouthed gangsters.

 Stolen from Smidgy

You know who knows how though? Robert Saduba, that's who, smart guy.  Didn't think I had an answer, did you?  If you'd like more sources for creative pop-up book fun times, click here.

My man Rob has got all kinds of crazy pop-up designs, from crabs to castles to the Millennium Falcon.  That's right, you can make your own Star Wars pop-up book.  How cool would it be to get a cease and desist order signed by George Lucas?

Why not make yourself a pop-up book and find out?

Listening to:  Always on the Run - Lenny Kravitz

Monday, March 5, 2012

Twitter lit

Let me be frank regarding my loyalties:  Twitter people are my people. 

I've said it before:  Twitter fuels revolutions, Facebook lets you pretend to be a farmer.  There's just something about Twitter - I guess it's the freedom of the platform, the immediacy of the content - that feels right to me.  I'm not much of a talker; maybe that's part of it.

Yes, I have a facebook account, and it's a great way to keep up with friends, but it is by and large a time-wasting whirlpool of vapidness, a hub of digital navel gazing.  I view Twitter totally differently:  its' necessary brevity and ticker-tape speed doesn't really suit mopey self-reflection.  I can just dip in and out as I feel the urge.  It allows for a real frank exchange of ideas without all the superfluous social niceties that really do little more than drive me to distraction.  Did I mention that I'm a borderline Aspie



I have been told my comments on Facebook tend to be a bit "spicy".


What brought me to the subject of twitter, however, was something less than political:  fiction (Or, I don't know, maybe that's one of the most political things there is).  The idea to write a work of fiction on Twitter first came to me probably about six months ago.  And, the thing is, this would be just me making up things about myself - otherwise known as "normal Twitter" - no; I would tell a story from a character's point of view, having him relate his story through the medium of Twitter.  Turns out I wasn't the first with this idea.

I have started a rough outline and composed a few rough tweets.  I even set up a twitter account for the work, the ID and password for which I promptly forgot.  Before I set up another one, I think I'll get a little deeper into he planning stage.


Listening to:  Help I'm Alive - Metric

Tuesday, March 9, 2010

Dying is easy...

...writing is hard.

Well, not the actual writing. It's the editing - the keeping of consistency, the tying up of loose ends, the ensuring congruity of symbols and motifs...ugh. That's probably why I decided to just have a couple of beers and watch hockey when I got home form work tonight. And then I wasted time on the internet. Some highlights of my travels:

Failbooking

xkcd

slashdot

and of course, facebook, blogger and youtube.



Back at it tomorrow. Bleah.



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Listening to: Camera Obscura - French Navy
via FoxyTunes

Wednesday, March 3, 2010

Zenstant Film!

First, a bit of business. Almighty Google has shown no results for the usage of the phrase "Zenstant Film", so I hereby lay claim to it (patent pending!). Refer to this blog's Creative Commons license with any questions.

OK, now that that's out of the way, here's the first in what will (hopefully) be a series of short, short films - simple moments captured for posterity, kind of like the plastic bag footage in American Beauty, but hopefully not quite as pretentious. Allow me to present "Crunchy Ice":





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Listening to: Phantogram - "When I'm Small"
via FoxyTunes

Sunday, February 28, 2010

If life has taught me one lesson repeatedly, it's to know when I'm beat...

Seriously? It can't be! Has it really been a month since my last post? Urg...blogging is hard! Well, I suppose I ought to do a quick update:

First of all, FAWM has been, for me, an abject failure. Sure I could place the blame for this failure on external factors...in fact, yeah, that's what I'll do. Pretty much the entire month of February was dedicated to finishing my rough draft of my novel from NaNoWriMo (tentative title: Grave Accent. Or, maybe, Imp. Haven't decided yet.)

But it's finally done! At least, as much as you can call the first draft of writing "done". Now begins the work of editing. Ugg. If writing were basketball, the task of editing would be analogous to wiping up the sweat from the floorboards. I'll also start to deconstruct my writing methods, to try to make future NaNoWriMos a little more smooth and manageable. Kinda like ScarJo's hair.

You're welcome.


Despite not having the time to finish FAWM, I was somehow able to squeeze in a few movies this weekend, all of which I'd recommend heartily:

Zombieland: Not the best zombie movie ever (Shaun of the Dead takes the honors there), but definitely makes the short list. You know any movie where the sentence "The worst part was the bit with Bill Murray" has to be pretty awesome.

Moon: Trippy, heady movie with great atmosphere (Ha! Get it?!?).

A Serious Man: Man oh man, I love the Cohen Bros. This is not their best movie ever; in fact, I thought it was a little weak after I saw it. But the more I think about it, the more I realize what a great job they did with the theme of "The Uncertainty of Life". Very meta.

The Invention of Lying: Ricky Gervais has an amazing talent for combining comedy with a genuinely touching story. On a whole other level than almost all other RomComs.


Oh, and one more recommendation: Check out this cover of Britney Spear's Toxic, by alt-country band "Or, the Whale" (no idea what the story is with the name...). Seriously. Better than the original (don't get me started on my love/hate Britney sentiments; maybe some other time). Free download here.

That is all.


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Listening to: The Pixies - (In Heaven) Lady In The Radiator Song
via FoxyTunes

Monday, January 18, 2010

Drug of Convenience




I've heard it said before that there are are no "recovered" (past tense) addicts, just addicts who've shifted their priorities. I'm not sure who said it; maybe I even made it up, though it sounds perhaps a little too clever for me. The point is this: The drug that brought my life into the wall was weed, which, I realize, is pathetic. And maybe that gives you an idea of the sort of stuff from which I am made.

Sometimes - though not very often, as I kept my crumbling inner life extremely well hidden - people ask me if I miss it; if the desire for drugs that once controlled me still calls. I'm not stupid; I know the answer, the only answer that a recovering addict can give: "Yes, sometimes, but I know it's just not worth it." Bullshit - all of it - every word.

The real answer is this: "Yes, I think about it literally every day. When I find my self alone and bored, it's all I can think about. I mourn my drug of choice's passing as I would the death of a family member. I was watching a movie the other day where the characters were taking hits off a bong they were passing around - I noticed that each time one of them took a hit, my mouth opened, and I took in a slow, steady, deep draw of breath.

"I made a big show out of deleting every contact out of my phone, but I know with religious certainty how my numb addict fingers will dial any number of them, the beeps and boops of the keypad hitting my ear like a symphony as my virtuoso fingers play the keypad like a concert instrument. But I don't. I can't even say for sure why; maybe I'm just getting used to not running myself ragged around an elaborate scaffolding, forever patching holes in my stories and keeping my structure of lies from crumbling around me. And it's nice not to be completely exhausted all the time. So yes, I suppose I know it's just not worth it, but that doesn't make it's siren song any less tempting."

Back to shifted priorities; from my drug of choice I had to switch to a drug of convenience, of pragmatism: Coffee. I come downstairs every morning and put on a kettle, poured from a water filter to get all the chlorine, salts, and everything else man deems fit to either introduce or not filter out. This water is pure, uncut, the best you can get. Next I scoop the coffee (fair trade, organic) and three scoops into a french press - none of that automatic drip swill for me - this french press is an elegant work of art, glass and chrome, imported from Europe. By now the kettle is whistling; I wait till it hits a certain pitch, indicating a particular fervor to the boil, before I take it off the burner and let it sit for thirty seconds. Yes, I actually do watch the second hand on my kitchen clock. When it's time, I pour the water in. The grounds seem to accept the steaming water as an extension of their own being, and they suck it up, becoming somehow more than the sum of their parts.

From there, I wait three minutes, until the grounds have all risen to the top, and the bubbles that were on top of the grounds have popped, leaving little craters on the grainy, quicksand surface. Then I insert and push down the plunger, all the way down, then bring it back up, and push it back down. At this point, my intuition takes over; it may be done, or may need one more plunge. A subtle calculus aided by each of my senses at once will let me know which is the right action. From there, I pour the coffee into another, identical french press, clean, sparkling, and once it is full, the plunger goes in - more to keep the heat in than anything else.

This ritual is the sacred to me, nearly - but not quite - inducing the same trance-like state that unrolling a baggie, cleaning the pipe, filling the bowl, and rubbing my thumb across the cross hatched metal wheel of a Bic lighter used to bring.


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Listening to: Sleater-Kinney - The Fox
via FoxyTunes

Friday, September 25, 2009

O hai! Ur storiez iz rejektid.


I received the nicest rejection letter the other day from the folks at Storyglossia. Rejection letters are nothing new to me, and they don't carry the potent sting they once did, but still, frankly, mostly they suck. Not this one, though.

I won't reprint the email verbatim here, as I don't have, nor have I sought, their permission; however, this email was much more than your standard "Sorry...pass!" rejection letter. No, the editor actually took the time to commend me on several elements of my story, including its' subtlety (one of my most sought-after compliments!).

I almost want to print it out at post it at my desk, it's so unique in the juxtaposition of rejection and praise.

Has anyone else had a similar rejection letter? Or a rejection letter than was just dripping with meanness? Or maybe even some funny Lolcats? I'd appreciate any of that.


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Listening to: Wolfgang Amadeus Mozart - Mozart: Symphony #40 In G Minor, K 550 - 1. Molto Allegro
via FoxyTunes

Monday, September 7, 2009

Write why now?

I am not a great writer. So why do I write? This thought haunts me sometimes; usually when I'm having trouble figuring things out, connecting the dots, or even just committing anything to paper. These doubts tend to mount for a while, smothering my thought process until I just feel like walking away and giving up. (Ok, actually I feel like slamming my laptop to the floor, but I've managed to resist the temptation so far.)

Then it happens. A flash of insight, usually when I have finally stopped thinking about all my frustrations with the writing process. This happened to me just this last Friday night, as I was lying in bed.

One of the most encouraging feelings a writer can experience is the sudden realization of growth and maturation as a writer. If you've been writing for any length of time, you have likely experienced this. So awesome. Jump around squealing like a girl awesome.

Where was I? Ah yes, this past Friday. A story I had been working on had hit a dead end about a week previous and stayed stuck there. I began to obsess about it. I tried to go directly at it, to kind of force my way through it and hope that it would all work out in the end (which sometimes does happen, and is another thrilling moment in writing). Nothing worked out this time though, and I ended up just writing and deleting, writing and deleting. That and watching a lot of US Open tennis.

I then decided to try to go at it from the periphery, which sometimes works out very well. I usually try to write a short story or two, maybe the back story of a character, or maybe a random scene from the big story. In the middle of one of these short stories, I was running into the same wall that I had hit in the larger story. Double frustration. At a loss for what else to do, I went to bed. Drifting off, I began imagining how one of my characters might have arrived at the location of my story, something that wasn't in my original outline. And that's where it hit me.

I needed a character to be duplicitous (or to seem to be duplicitous, to be more precise), but I hadn't really worked through what her motivation might have been. That's the answer that came to be as I drifted off to sleep on Friday. I was so excited I got up, re-did my entire outline (as well as spent more time on my character's back stories), and wrote for nearly 3 hours straight. I got a fresh burst of inspiration, confidence, and a better developed, more three-dimensional character to boot.

I think I'm going to get all my notes together on this one and use it for NaNoWriMo!


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Listening to: Peter Bjorn and John - Young Folks
via FoxyTunes

Friday, September 4, 2009

Fiction Friday - Northern Lights

Wow, Friday already. My work today is a rough draft of a story I'm prepping for entry to Storyglossia. The theme for entry is "Musical Obsession". I am fully aware there is not too much of that in my offering this week - that will be woven in between now and the deadline for entry, 9/15.

As always, constructive comments (and, of course, encouragement, be it genuine or bald-faced lies) are welcome.


NORTHERN LIGHTS


Katja leaned back, propped up on her elbows, the high sun glinting off her shiny horns. She was young and beautiful, and couldn't have been more exotic, Jake thought. Her eyes were squinted into tiny slits, scrunching up her nose in an adorable way. She was much
more tan than a girl from Finland ought to be. Her head swayed gently from side to side, as if she was listening to music only she could hear. Jake was immediately drawn to that particular idiosyncrasy, almost fell in love with her on the spot because of it.

"I don't want to die...don't get me wrong," Jake said. He was looking out where the river from the melting glacier met the ocean, watching the chunks of ice flowing swiftly out into the wavy blue infinity. A seal popped his head above the surface of the river, looked around momentarily, then went down again.

"Do you ever think you might be of...possessed?" Katja asked.

"I have thought so many things...I used to think, back when I was a little kid, that everyone could see music. I don't know, the kids seemed to sort of understand at first, but as we got older, I got more and more weird looks." Jake picked up a handful of black sand and let it slowly sift through his hand. It was a thrilling sensation; the sand on top was hot from the summer sun, the sand underneath was cold, the way you would think it would be in a place called Iceland. The temperatures mixed as they traveled between Jake's fingers, creating a sensation that his nervous system didn't quite know how to deal with, and so just got all tingly. He lost his train of thought momentarily.

"Weird looks?" Katja prompted.

"It was so familiar and natural to me - I assumed everyone could. I still kind of think that it's something we all have when we're born, something we lose as we grow. Of course, I realize that it's more likely all here." He pointed to a spot on his head a little above and in front of his right ear, where the tumor that caused his vision resided.

Katja sat up and scooped up a handful of sand herself, and let it slip through her fingers, just like Jake did. She also experienced an odd sensation, Jake noticed, as goosebumps raced across the bare skin of her arms and chest above her breast plate. She scooped up two more handfuls before giving her head a little shake and brushing off her hands.

"Maybe this is from God, do you think?" she said, reaching into her bag and pulling out cheese, bread and a tin of tuna, which she spread out on the blanket they were sitting on. She then reached back in and retrieved two bottles of water, handing one to Jake.

Jake scoffed at the idea, waving his hands as if the very idea was a pesky insect that wouldn't go away. "Some people in my family think that. I don't know, maybe that's how they're making sense of my thinking."

"Your thinking about the surgery?" Katja asked. "I understand...I think."

"Like I said, it's not like I want to die or anything. I just think about how...different my life will be. I won't have this special gift or talent, or, I don't know...curse, affliction..."

"What does it look like?" Katja interjected. "The music when you see it?"

Jake paused, rolling his eye up towards the heavens and then closed them. He took a couple deep breaths and appeared to be lost in thought for a few moments. He turned his gaze back towards the water and saw the seal's head come back above the surface, closer now. He exchanged a glance with Jake before slipping back under.

"Sort of like the Northern Lights, I guess," Jake finally said.

"I have seen the Northern Lights," Katja said. "They are beautiful, but I don't think I should want to see them all the time."

Now finished with their lunch, she reached bag into her bag and pulled out two cups of skyr, handing one to Jake. Jake reached for it with a reluctant slowness, wondering how long they had been in there - were they still safe to eat? And how deep is that bag? It's like a cornucopia or something. Sensing his apprehension, Katja said, "It's OK. It keeps without refrigeration." Jake opened his and tucked in. He had grown fond of skyr.

"Is it distracting?" she asked.

"The Music thing? Sort of. I can't listen to the radio when I'm driving - at least not when I'm driving in the city, anywhere where I'd need concentration. I drove through the desert once listening to some CDs. That was...a... great time."

Katja's eyes never left Jake as he talked. She brought the little fold-out spoon up from the cup of skyr to her soft mouth, twirling it in there to lick the concave side clean, slowly withdrawing it through her pouty lips. Jake tried hard to not keep his eyes on her the whole time and turned his eyes again to the water, where he saw the seal again, by the shore, nearly half way out of the water. The seal was waving his nose in the air, sort of like the way that Katja's head would sway slowly from side to side. As he sat there observing it, the seal was suddenly pelted with a scattershot of small pebbles. Jake turned immediately to Katja; it took a couple seconds to get his head around the fact that she had thrown the rocks.

"Pesky," she stated, just the slightest hint of contempt in her voice. "They will come and try to steal food."

She leaned back again, propped up on her arms, her body in that revealing costume spread out in front of Jake. She reached a hand up to hold her horned helmet, to keep it from sliding off. She craned her neck toward him, squinting into the sun behind Jake, one eye completely closed, as if she was winking, and said, "I think you should have the operation." This had the effect of plunging Jake into a complete state of indecision.


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Listening to: Nine Inch Nails - Lights In The Sky
via FoxyTunes

Monday, June 29, 2009

For posterity's sake

I have recently discovered, to my dismay but certainly not my surprise, that I have done a horrible job keeping track of my creative endeavors. I had one short story published in a now-defunct magazine called (I believe) The Heron. I can find no record of this anywhere - I can't even find the paper copy of it that I received. Hopefully it is still somewhere in my house.

Another short story of mine was published in an e-zine, although I never actually saw it because the link they gave me didn't work. Their check did not bounce, though, so I wasn't too upset.

The one piece of mine that I know for sure was up on the Net has now been taken down, unfortunately. I would have no record of it at all had my local congresswoman not sent me a news clipping:

And to think I didn't even vote for her...and won't next time she runs, either. Oh well.

I've noticed that I know exactly where most, if not all, of my rejection letters are...I wonder what that says about me?

Below is a copy of the short story referenced in the above news clipping:

THANK GOD FOR TORNADOES


“That’s not tornadic”, Matt opined. “Now if the sky was green, then that would be tornadic”. He recited to anyone willing to listen a list, obviously complied over a dull lifetime and endlessly rehearsed, of the times when he had witnessed a green sky; but I was much more interested in looking out at the actual sky through the one small window in the room. Matt’s voice droned on behind me about the tornado he saw when he used to work at a fast food joint, while my eyes searched outside, wondering what the big deal was. The sky was not particularly dark, the wind was gentle, and the rain was merely a moderate downpour, nothing to really get concerned about. I turned to notice Shannon walking up towards us.

“There were no customers there, so we all went out in the parking lot, and it had been blowing a blue streak, but then it got all still and quiet, and that’s when we went out.”

I glanced over at Shannon, thinking he might find the humor in all the Hardee’s employees standing in the parking lot facing an imminent tornado strike, but his eyes were focused far away, out the window. He tried to keep as uninvolved as possible with the people and politics here at work; probably a good idea, but it makes him pretty boring to talk to, which is too bad because he’s one of the few people here with half a brain in his head. I turned my gaze back through the window as well.

“What the hell is the siren for?” Shannon demanded, roughly stroking the scraggly red whiskers on his jaw, “It’s fine out there.”

I mentioned, while maintaining my focus out the window, that I had seen the weather report this morning, and that a cold front was coming in, bringing with it some possibly severe storms, and hopefully some cooler weather for the next couple days – a welcome break from the devastating humidity of the past two weeks. The severe stuff, I told him, was supposed to be passing to the south of us. Shannon grunted his agreement with my remarks.

“Yeah, it’s fine out there,” Matt added. “Now, if the sky was dark green, that’s a sign for tornadic.”

I looked to hopefully to Shannon again – still no reaction on his characteristic grim and serious face. Disheartened, I turned and looked out the window with him. A guy was sitting out in his car, waiting for the rain to ease up, I surmised. Finally he gave up waiting and got out of the car, holding his briefcase over his head as he rushed to the entrance. The headlights of his Buick were still on. I think we were all hoping that they weren’t the type that turned off automatically. That’s cold, I realize, but factory work will instill that type of mentality in you.

Matt was suddenly right over my shoulder and into my personal space, standing on his toes and trying to get a look outside. I cringed and shrunk from his touch when he put his hand on my shoulder to boost himself up slightly higher. He lost his balance and nearly fell into Shannon and me.

“Nah...that’s definitely not tornadic,” Matt insisted once he had stabilized himself. As he spoke, the excessively large wad of chew he kept between his lips and teeth threatened to spill over. Little bits of it were interspersed in his prominent braces. It was always uncomfortable conversing with him, as the possibility of being showered with tobacco juice was always there, and he had a habit of standing uncomfortably close when speaking.

I turned away from Matt without a word or even a visual cue that I was ending whatever conversation he might have imagined we’d been having, scanning the room for likely escape route. The room was a stark white abortion, a purely utilitarian cinder-block construction. Like the rest of the factory, there was no clock in here. The company did not want clock-watchers. Instead, they alerted us to our break times with bells over a loudspeaker, like we were caged rats or prisoners or something like that. More than anything, more than being an inconvenience, or an assault on our dignity, it was just sad – just sad that I, a grown man, viewed the simple act of putting on my watch every morning as a way to “Stick It To The Man”.

The siren ceased it’s warning, and I turned back towards the window. The sky was continuing to lighten, still raining, but any possible threatening weather was obviously well past us now. The white-collars stood up and went hastily back to their offices upstairs. Everyone else stayed put. It was hot and muggy out on the floor, and there was little work to do besides. Orders had been dropping off, probably the result of the sub-par product we had been turning out lately. Everyone had been talking about it for weeks.

“If they need us out on the floor,” Frank said, “they can come get us. That’s the supervisor’s job...give the ‘all clear’.” Frank had been with the company since the ‘50s, a fixture at the factory. He was not well respected by anyone here, especially the newer people. His reputation for laziness was not helped by his sloppy speech or his habit of napping after lunch, and his obsolescence put into sharp focus by the increasingly simple “busy work” assigned to him. It would be difficult, though, I would imagine, staying motivated while living through the golden age of labor and into the rise of the corporations.

Around the room, everyone mumbled and nodded their vague agreement with Frank. Someone else, I’m not sure who, not that it really makes a difference, floated a semi-articulated thought that we ought to stay in here all day no matter what management has to say about it. More muttered agreement. I couldn’t really tell who these splintered ideas of rebellion were coming from, or how a conformity was reached, but in the end almost everyone seemed to be of the opinion that we needed to make a stand, to air our grievances, to scream defiantly against the roaring tempest of corporate decision.

“It’s always been that way,” Frank repeated. “Stay and wait for the ‘all clear’.”

My legs were exhausted from standing all day, so I turned away from the window and went to grab one of the seats that had opened up at the long conference table when the office people left. I sat next to Laura, who had an injury and was temporarily working on assembling benefits folders to be distributed to all the workers at the factory. I glanced casually at the contents of one of the folders, and commented on the fact that over half of the material seemed to be out of date.

“Yeah, I know, “ Laura sighed impatiently. “Anita brought that up, and I told her: if you got a problem with it, go see management. It’s not my job to correct their mistakes. Talk to management about it.” Anita is the union steward. She’ll get all worked up about this or that, talk big about taking the company to task over infractions large and small, real or imagined, but in the end she’s all bluster, and everybody knows it.

“If they think I’m redoing these damn things they’ve got another think coming.” She slapped another assembled folder down on the stack to punctuate the end of her sentence. I think we both knew she’d spend weeks tearing these books apart and then reconstructing them, until she was well enough to work.

Sensing the air of hostility and anger she had enveloped herself in, I decided to get up and walk back to the window. Matt and Shannon had wandered off, so I stood alone, watching sheets of rain dance across the street. As I stared absently at the rain, I thought about how much of what we manufacture is done in the spirit of anger and hostility, how many parts just don’t quite fit right and so are forced into place with a wild hammer and fuming curses. I also noticed the Buick’s headlights were now off. I didn’t know if they turned off by themselves or if the battery had died, and really didn’t care too much about it either way. This whole damn factory could blow away, for all I cared.

Why the factory had gone to hell was fairly obvious – we switched to a new material supplier, who gave us our metal as a substantially lower price, but also a substantially lower quality. As we struggled working with the inferior new material, we fell behind because it was so time consuming and because so much of the product had to be scrapped. As we fell further behind, angry customers called, demanding their purchases be delivered immediately, and so quality control standards were relaxed, which meant that stuff that should have been rejected was instead shipped out. Our reputation after all this was obviously not good, and so we lost customers. And now here we were in what should have been the busiest time of the year for a industrial refrigerator manufacturer, with next to nothing to do.

The sirens had gone silent over ten minutes ago – if I hadn’t had my watch, I would’ve sworn it’d been about an hour – and still no one had come to get us. I held out a sliver of hope that we could while away the day in the comfort of the air conditioned bunker/conference room, but tried not to dwell on it. Instead, I eavesdropped on the several conversations going on around the room. They were all remarkably similar – they were all about tornadoes.

“Once I was in a mobile home during a tornado,” Cindy said. She rocked back and forth in her chair, simulating the motion of the trailer, I suppose.

“It was so scary and loud – all the trailers around us got damaged, but ours was untouched.” Her voice lilted up as she ended her sentence, bubbly with the good news that everything worked out all right for her.

She was holding court, most of the guys were around her, rapping off clumsily worded double-entendres which fell around her like so many errant arrows. She was by far the prettiest woman in the factory, in a way not too far different from her trailer in the story...of course, even though she made out OK, there she was, still in the trailer park.

“Untouched!” she emphasized.

“Speaking of touching...” one of her sweaty admirers began.

“Yeah, I tell ya, one hit my home once, sounded like a freight train coming through.” The attention of the room slipped momentarily from Cindy, but never quite fully, and the moment’s wavered attention drifted toward, but never really focused on, Frank.

“Like a freight train,” he repeated, far-off stare, searching for but finding nothing to add. He deflated in his chair, relinquishing any meager hold he might have had on the room. Cindy continued her story, which never really went anywhere or shed any new details, for the next several minutes to her rapt, albeit captive, audience. I thought seriously about leaving the window and moving out of earshot of her inane ramblings. Instead, I stood there propped against the window frame and waited, and waited, letting her voice lull me into a not unpleasant semi-catatonic state, and decided that maybe this was the safest place for me to be right now.

An annoying scraping noise distracted me eventually. Over in the corner, I saw the boys from Material Inspection. They were the Dead-enders – any newly hired person who was sent to work with them lasted all of two weeks, tops. Like most of the problems in the company, they were left unaddressed. They were ensconced in a bitter shell, numbly punching in every day and collecting a check every week, doing just enough to not get fired, waiting out the ravages of time and circumstance, holding on until retirement or death. They were scratching marks on the table using regular putty knives – probably the most used tools in the factory – shaped and sharpened using a grinding wheel into instruments resembling jailhouse shivs, sculpted with more care and attention to detail than they exhibited toward any actual product of the factory.

I turned away from them, suddenly more disheartened than usual. The morning had started wonderfully, a compassionate break from the routine drudgery and anguish; but now I saw that it had simply been moved to another room. The same inane conversations held over and over again - the lines of a dark and too obvious comedy. The same lack of concern...the same defeated mentality.

There was not so long ago a time of craftsmen, when pride was taken in one’s work; when a guy could get a blue-collar job and support his family. My grandfather worked hard every day, dirt forever on his hands, scraped knuckles, a couple of beers after a hard day, a gold watch and a fat pension when he retired. It was an honest, romantic way to make a living. I’m nearing the age of my grandfather when he was half way to retirement, but they keep raising the retirement age, leaving me to trudge onward like Sisyphus...the same defeated mentality.

Finally, the moment we had all been hoping wouldn’t come, had come. Ray came into the room – he must’ve drawn the short straw among the supervisors. None of them liked dealing with us. Most of the workers made a point to make sure any interaction was difficult and emotionally draining. New conversations began as if previous ones had never taken place, everyone played dumb – a supervisor would just have to start all over again, building from the ground up.

He stood there for a few moments. The conversations continued, but in a noticeably hushed tone. Eerily, no one moved. Hands on his hips, he surveyed the room with a scowl before speaking.

“OK, people, let’s get back out there. The siren stopped a while ago.”

“We’re supposed to stay put until we get the ‘all clear’ from the supervisor,” Frank challenged. “That’s the rules.”

“OK, OK...here’s your ‘all clear’. Now let’s get back out there. C’mon, people! Let's go!”

He rambled across the room, barking and flailing, dislodging people form their comfortable cliques and seats and conversations, upsetting everyone with his ruthless attitude.

Reluctantly, and with much groaning, everyone painstakingly got up from their seats and staggered slowly out onto the floor. As we left the room, the hot, sticky, dishearteningly overwhelming air of the factory weighed us down, slowing us even more.



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Listening to: Atmosphere - Smart Went Crazy
via FoxyTunes

Wednesday, May 13, 2009

The Brick Oven

I was down low on the marble floor, staring upwards, towering brick leviathans on either side of me. The canyon was flooded in murky shadows; almost all of the daylight from outside was filtered and diffused before it could reach down here at the bottom. I examined the bricks as well as I could in the dim conditions and discovered they were old, probably reclaimed from a building that had been torn down recently. They had some writing embossed into them, which I of course couldn't read; probably the name of the company that originally fired them. They were made from a smooth river clay, light red in color, and most had a chip or two out of them, but they were still structurally sound.

This long dark echo chamber felt as if it might have been inhabited by a thousand ghosts. Sound and light waves bounced around endlessly, searching for some sort of final resting place. I tried, knowing full well of the futility, forcing my way through the bricks, trying to get them to shift, or get the mortar to crack. The dead air between them walls seemed to sap my energy. I sat there for a long time, he continued his work, the walls getting ever higher above me. A claustrophobic fear surged through me, but was gone just as quickly as it struck. I wandered the desolate canyon, feeling lonely and useless. The bricks were cold, and I clung to them where they met the floor, wishing they could absorb me and I could leave this place.

He placed a metal grate overhead, stretching across the canyon, joining the two walls. I wanted to swoop up overhead and get a look at what he was doing, but I couldn't find the energy to even get up off the floor. Once the grate was in place, he continued with the bricks, building ever higher. Eventually, out of boredom more than curiosity, I ventured further down the canyon, and came to a sort of crossroads. Straight ahead was sooty darkness. To my right and left the canyon bumped out a little. At the end of the bump-outs was more brick wall, but there was a small rectangular window in each. I could see the sunlight through the one to my left. I went up and looked through the little window and could see all the way to the city. The forms of the buildings outside were hard to decipher through the sunlight coming from behind them. There was so much going on out there. So much life.

I sank back down to the floor, scraping along the face of the bricks on the way. The bricks here were a little warm, from the sun I assume. Looking up, I saw his face looming over me, staring down through me. He smiled. He turned away and went back to his work. I slowly drifted back, retracing my route, to the entrance of the brick canyon and wandered aimlessly until I found myself by the lamp on his nightstand. The stones scattered around the lamp were also warm from the sun. They were also covered in a layer of dust. This, I thought, must be where the universes I used to watch go to die, shipwrecked on this rocky shore. I settled over them and did not move for a long time.


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Listening to: Radiohead - Pyramid Song
via FoxyTunes

Thursday, April 23, 2009

Rules for ghosts

1) Ghosts exist in a separate dimension from the physical world, thus encounters between the dimensions are rare and difficult to comprehend. A good explanation is done by Carl Sagan, where he tries to describe the 4th dimension.

2) Ghost take up roughly the same space as when they were living, but can grow larger (slightly) and can shrink (significantly).

3) Ghosts perceive the entire cross-section of light and sound.

4) It is very difficult and rare for a ghost to influence the physical world: it can pretty much only be done on a quantum level, but with enough effort, these quantum fluctuations that ghosts influence can have physical results.

5) Ghosts are fields of potential energy that has not found a catalyst to release into kinetic energy. As the kinetic energy is released, the ghost dissipates into the Universe.


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Listening to: Nine Inch Nails - 4 Ghosts I
via FoxyTunes

Saturday, April 4, 2009

Reluctant Ghost Back Story - The Bakery

I was late again, but in no hurry. Spring was finally here for real - winter would not be creeping back as it so often does in late March - and I was taking the scenic route on my walk to work. It was already warm this morning, and was supposed to get up into the seventies by this afternoon. Two fat robins sliced through the air right in front of me: an argument over territory, no doubt. I could already smell the aroma of burnt bread in the breeze. After a couple of quick detours down some wooded avenues, I headed directly for the bakery.

I loved the old screen door, looked forward to it every time I came here. The old red and green paint was peeling, and the ancient screen was a little rusty and bulged a little here and there from the times it had been walked into.

The first thing you notice when you step foot into the bakery is the noise of the fans. Several of them, placed in strategic locations throughout the bakery, going at full speed, trying to circulate the hot dry air of the oven with the cooler air from outside. And that's the second thing you notice: the heat. It feels almost like walking into a wall; it will stop some people in their tracks. I liked that - standing behind the counter, watching customers get backed up and walk into each other on the hot days.

"You're late," the owner, Rick, said to me. This has pretty much replaced "Hi" as his standard greeting to me.

"I know, " I replied, quickly slinking back behind the counter. I took an apron from the rack and tied it behind my back as I walked back to the dough station. Some of the loaves have already proofed, and I shift them to the oven and get started shaping the sourdough and cutting the english muffins. It's hot already, and I get to pull the bread from the oven once the loaves have all been made. The last one in in the morning gets to pull from the oven, that's the rule. I end up in front of theoven a lot.

I talk with the other bakers about what we all did the previous night. They are friendly enough to me, but I sense an undercurrent of resentment sometimes, becuase of my lateness, I suspect. Today, they're not upset with me and we have a good time back there with the dough. Soon enough, everything is rolled out and shaped and all that's left is the proofing, so I go up front. I take the big wooden paddle with the long handle and start shoving in the raw loaves.

Within seconds I'm sweating, and before long beads are pouring off of me, some hanging on the end of my nose, which is so gaddamn annoying. These times in front of the oven I vegetate; thinking is a useless endeavor. Just pull out the dark loaves, scoot in the light ones. Waves of hot, dry air billow out into my face, catching small tendrils of my hair and levitating them into the air along side my face, eventually sticking to my drentched cheeks and forehead. And during these times my consciousness would wander aimlessly until it wound up where it always did. The dark thoughts.

I don't think there was ever a day I stood in front of that oven that I didn't think about crawling into it. Just curling up in its toastiness, this warm womb from which I pull the stuff of life. Some days my thoughts were realistic, thinking about the physical process of my body burning, the pain and screaming, the torture, and then, finally, the release. But mostly these were romantic thoughts that ignored the ugly facts of self-immolation; the muddled logic of the suicidal.

One time I held my hand against the metal body of the oven, just to see how long I could stand it before the primitive instictual brain would overrule my willpower and force me to remove it. Quite a while, it turned out. It hurt instantly. The pain only grew in intensity, and was a more different kind than the shallow smarting of scrapping a knee or hitting your thumb with a hammer. This must be, I thought, why hell is full of fire.

I looked to the ceiling, trying to ignore my hand. Ancient beams were exposed, so old that gaps had formed between the grains in the wood. I think the parts between the beams is plaster or something; it has grown dark over the years from the smoke particles given off from the little crumbs of bread that fall to the floor of the oven and bake down to little bits of carbon.

At last I could stand no more and removed my hand. It was a bright red and almost alien-looking. I looked up from my hand and saw Rick was looking at me in disbelief. I ran to sink in the back and turned on the cold water full blast, testing it with my unburnt hand until the hot water from washing the dishes had cleared the pipes. I stuck my hand unter the ruhing stream of cool water. Just the force of the water stung, and I turned the knob counter-clockwise until the stream was gentle. The relief was immediate, almost magical. I pulled my hand out of the water and the pain returned instantaneously. My entire right hand was a throbbing agony. I hadn't even had the sense to try this with my other hand - the one I don't write with. Fuck.

I placed it back under the water. The cool water was as good as morphine, as far as I was concerned. Rick came back and asked to look at my burn. I reluctantly removed it from the water and showed him, after a few more seconds of savoring the relief. There were already large blisters forming. Rick ran to the freezer and came back with some ice. He wrapped it into my hand and told me to go home and rest. He added that I should probably go to the doctor. I just stared at him. He stared back at me, and for a long time we jsut stood there silent.

"Are you OK?" I could tell he wanted to ask, but he said nothing more. I could hear the other workers gathering behind him, asking what had happened. I left by the back door so I wouldn't have to face them.


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Listening to: Atmosphere - Smart Went Crazy
via FoxyTunes

Thursday, April 2, 2009

The Materialists v. The Sensualists

I had an interesting debate the other day - one I've had in the past several times, and one that I find I'm constantly changing sides on. I know artists, a couple of them, who are quite talented, but simply unable to make a living at it because of how they view the media they are gifted in.

Their problem, if it is indeed a "problem", is this: they hold art - the process and result of their creativity and patience - in such sacred regard that once a piece is done, so much of their personality, so much of their soul, so much of their "selves" went into its creation that to simply sell it seems to them like a sort of prostitution, some sort of profanity. I suppose that in a way they view their pieces the way someone might view their children, and I guess the comparison between patiently raising a child and carefully making a clay teapot is more than superficial.

The counter-argument I have used myself goes something like this: it is really all how the artist views him- or herself, and the general attitude that many artists seem to share about money, which is negative, for he most part. Many artists will divide the world in twain, partisianizing humanity into materialists and sensualists. They view the majority of humanity as being interested in chasing profits and financial advantage, and they view the dollars that these people are endlessly chasing as dirty by association.

Gone are the days of patrons who will lavish artists with the means to spend all their days creating art without having to worry where their next meal is coming from. Some artists I have spoken with get a dreamy look in their eyes when referring to the Renaissance era, conveniently ignoring the fact that often the artists from this period they admire so much often had little choice as to what they would be painting or sculpting. Other artists take an opposite tack, romanticizing the lives of the starving artists who eschewed worldly comfort for the sake of remaining true to their artistic vision. I think both of these viewpoints are mistaken, both in the way they unquestioningly accept the fact that money is bad, and in the way they view the nature of the transaction.

First, money is neither good nor bad. It is an inanimate object (one it took a certain amount of artistic talent to design and mint, I might add); it is what money is used for, as well as what one does to obtain it, that is either good or bad - which leads to my second point: I would suggest that instead of looking at the selling of a painting or sculpture or whatever as a mere financial exchange, take the viewpoint that you are exchanging your work that will bring happiness to other people for a small donation to enable you the security to continue the work of making the world a better place.

Of course, and underlying (and fastidiously ignored) secondary argument of the artist who will not sell their work is the artist's fear of rejection or failure, with which I can certainly sympathize. It takes a very real bravery to put your soul into a work and then to place it out in the world for all to see. And judge. And criticize. I think all artists, hell, anyone, can relate to this. Artists will usually form communities to offer support to each other is the face of this legitimate insecurity, but all too often these groups will devolve into dens of bitterness that legitimize the fear rather than combat it.

Well, these are my half-formed thoughts on the subject. I just kind of wanted to get them down to help me figure out all sides concerned. Thanks for everything.

Tuesday, March 10, 2009

Spontaneous Combustion II - Ch2 reluctant ghost

I didn’t die here or anything – I shuffled off that mortal coil half a state away from here, out on the edge of the woods, when I shot myself in the chest on purpose. That was a retarded fucking plan. All of the poetry and symbolism and revenge and everything pretty much gets lost in the all the pain. The unbelievable crushing wave of excruciating, punishing pain. Even though I’m dead and detached from the cruel tethers of nerve endings, I can still almost feel the agony I was in that night. I still have no idea about the afterlife, even though I’m in it, but if I do ever get to be reincarnated, I sure as hell won’t be trying that shit again. Pills, maybe, but nothing violent like that.

I had hitchhiked my way up to the North Shore of Minnesota, up near Canada. I didn't have my car. My car keys had been taken away the week before by my mom, who wanted to to keep me near. I spent a good portion of my last mortal week in a vain search for my keys, whipping drawers out of their resting places, flipping furniture, spilling the contents of my mother's purse on the threadbare carpet of her bedroom. By the time I left my house behind for good, it looked as though it had been ransacked by thieves or junkies; in a way I suppose it had been.

My initial decision had been to walk. I'm am still in awe over the determination of this force that was driving me and the weakness of my faculties. I honestly just said, well, fuck it, I'm going to walk the 300 or so miles and I'll get there when I get there. Delusional, right? I had managed, over my lifetime, to develop a practice in the circumvention of reason. I cultivated this partition in my mind between logic and reason, and this undefeatable drive within me. I was able to cobble together some semblance of unity between these sides of me, but everyone, so to speak, knew who got the last word on any subject.

In my bag was a pistol I had taken from my dad's house about a day before I decided to go up north. My dad kept in in the back of his closet - I had discovered it years ago when I was a little girl, rummaging through my his stuff, trying to solve this enigma of a man. I told my brain that it was for protection on the road along the way, but I knew deep down what it was for. Logic and Reason knew what it was for, but they would sleep when I told them to. I would often touch the gun on the way up, careful to never actually hold it in a purposeful way.

I walked about five or six miles before I first realized that this walking thing was just not very realistic and I stuck my thumb out. The rides came fairly quickly (my mortal form was, I can now see, pretty attractive), and I actually turned down more rides than I took, making decisions that I now find a little funny. Why would someone who wants to die be so discriminating in who she chooses to take rides with? I mean, I did have a gun. I suppose it comes down to control - I wanted to control the details of how this ended.

I eventually wound up near a small state park a little south of the international border. I didn't actually enter the park, because I was deliberately trying to leave no footprints on my journey up here. I left Highway 61 and walk a very short path through a narrow band of woods until I could see Lake Superior. I stood on the beach for a short time, kicking off my sandals so that I could feel the warm rounded stones on my feet. They were warm. I shook the cold out of my body. People would walk by every so often, saying 'hi', their clothing whipping behind their bodies like flags.

After a while I felt so conspicuous and exposed that I retreated back to the edge of the wood. Instinctively, I hunched down a little bit and scanned the trees. I saw squirrels scurrying through the treetops, and bugs and butterflies, but no other signs of life. I saw that this narrow band of woods - they were a couple hundred feet wide - was crisscrossed with trails. From my location, there were two paths, four different directions I could take. I took the one that led most directly into the heart of the woods. After a few dozen steps, the path widened. Or I first though that it widened. In actuality, a small campsite had been set up along this path. There was no tent set up, but someone had left a couple of articles of clothing and a canteen hanging on a branch of a young tree. The limb bend under the strain. Was anyone coming back for these things? I wondered. Should I relieve the sapling of this weight? Again, I scanned the woods, looking for signs of human movement among the white birch trunks and fluttering leaves, listening for faint sounds of joy or serious murmurs. Eventually, I left the site as I found it and wandered on, following winding trails that often came back on themselves in complex circuits, finding many such small campsites like the first one; some completely clean, some strewn with garbage, most in a state somewhere in between.

The sun was beginning to set. I had subconsciously been using the daylight as measure of my last moments. I hadn't actually made a conscious decision as such, but I knew inside that once the stars had come out, it was time for me to go. I walked back towards the water. As I walked, I bent my elbows and held out my hands, as if I were ready for a hug. I felt the leaves brush against my sensitive fingers and palms, some fuzzy, some leathery. I treasured each experience, every step seemed a noble lifetime, a royal procession in a stoned paradise.

The water soon appeared, spread out like a vast galaxy and on into infinity. The first stars were showing in the sky. I stood on the edge of the woods that lined the stone beach of Lake Superior. Listening intently to the waves, I tried to have them drown out any thoughts I might have. Wind would alternately flutter through the leaves of the trees behind me, sweeping tendrils of my hair over my dirty face, then switch and come at me off of the lake, cooling me sweetly. The earth seemed to be breathing, the wind seemed to be engaged in the act of drawing my soul out of my body. I was scared, shaking almost violently. The air coming off the lake was a bit chilly, but not enough to produce these tremors. I reached into my worn woven bag and produced the pistol. It felt like a boat anchor in my hand.

I sat down in a heap on the rocks. They were so smooth and went so deep that it didn't hurt at all. I placed the gun delicately beside me and picked up a smooth oval of basalt, absentmindedly manipulating it while I listened to the big lake in front of me and the occasional rumble of a 18-wheeler passing on the highway to my back. My thoughts drifted, eventually, to contemplations about what it would be like throwing myself in front of one of those behemoths. What would happen? I was pretty sure the success rate would be higher than trying to do it myself; I would just have to take a step - one step - and everything else would be taken care of for me. The more I thought, the more appealing it became. I scrambled to get to my feet, hurriedly stumbling towards the highway, the skish-skish of the smooth stones yielding to my weight echoed in my head.

My conscience made a desperate wail for my attention, and it stopped me cold. The echoes of my footsteps faded and were drowned out by the waves gently slapping up against the rocky beach. What about the driver? I thought. What would happen to him, how would his life change? Would he feel guilty; in essence, would this dark force haunting my form jump ship and land squarely over him?

I looked up to the stars and screamed in rageful fits before striding briskly and determined back to the gun on the beach. Tears were streaming down my face now, catching and holding my windblown hair against my cheeks. I stabbed at the gun through the blurry vision of my tears, eventually finding it with my long, numb fingers. I grasped it and brought it up to my chest, turning it around so that the barrel faced me. My thumb found its way in between the trigger guard and the trigger. I toyed with its resistance. I stared into the seeming ocean in front of me, listening to it. I cataloged in my mind a book of lasts: my last meal, the last person I talked to, the last time I laughed [NO PERIOD OT THE END OF THIS SENTENCE ON PURPOSE!]

Then it happened...the gun went off. I looked down to see the handgun at my feet, blue in the bright moonlight, and I was vaguely aware that my hand hurt – from the kickback of the gun, I guess. For an eternal moment I was just there, hovering above the ground, not moving, not even breathing. I felt like a fossil, trapped floating in between my actions in the past and all of the possibilities that I might have experienced. Nothing happened for the longest time...I just hung there. I thought maybe I might be alright. Maybe I was fine.

Then I was seized with a kind of searing agony I had seen described in books. Oh, I thought, that’s what they were talking about. I fell to my knees, coming to rest on my haunches. The insects and pollen swarmed around me without pity, curious yet detached, landing on my sweaty face. I wondered for an absurd second what kind of bread the yeast in the air on the lakeshore might produce. I thought I could see the yeast, some sort of squiggles multiplied in my vision, anyway. I wanted to swat it away, but my arms were clutching my chest and I was scared to move them. I doubt they would have moved if I'd tried. I was in a merciless pain for a while, but eventually it subsided. I was scared too; I'd never been so scared. Oh no, I kept chanting softly to myself through chattering teeth. Oh no. No swearing, no anger, nothing profound nor poetic. Oh no.

After I collapsed and couldn’t move anymore, the thoughts rushed through me, liquid and random, passing so fast I couldn't acknowledge them. The rocks were cool and felt good. The bubbling yeast dancing in my eyes was forming intricate geometric patterns. I wondered if they were angels. Maybe I should talk to them. I thought I heard a low buzzing sound. Was it the ocean? It hurts. My mom doesn't know where I am. I am so sad. I am cold. Who will find me? On no. Roll over. Just roll over. Onto back. I think I see Orion. I wish someone were here to hold me. It hurts. Oh no. The lights in the sky may have come from stars long dead. Oh no...

The process of dying continued after I lost consciousness. I’m not sure if my spiritual arrival here occurred immediately or after a few days or weeks or what. It took me weeks even to question it. Maybe I was just in shock.

He was crying and wandering around the house all desolate, and dressed nice the first time I noticed him, so I’m thinking maybe it was right after my funeral? I pretty much ignored him for the first few weeks. Not out of rudeness or anything, I just ignored him...I’m not sure why.

I can’t even remember his name. I know I know his name, but I just can’t seem to recall it. Not long after I first arrived I tried to look at his mail only to discover I can’t read either. That was frustrating as hell. I felt like I was still intelligent and could form thoughts and everything, but at the same time I felt like I had the faculties of an infant again. That was the first time I actually influenced the physical realm.



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Listening to: Antlers - When You Sleep (My Blody Valentine cover)
via FoxyTunes

Wednesday, March 4, 2009

Spontaneous Combustion I - ch1 reluctant ghost

wisdom, right view, mix ingredients (sadness, isolation, despair, fear), scenery as character, free writing

I still have no idea why I would be here, in this place. It’s a great place to haunt, to be sure. Wide open floor plan, very high ceiling with exposed wooden beams that seem as thick as an average tree, around a dozen ancient windows lining the southwestern-facing wall. The windows are tall and fairly thin, coffin shaped. During the day, the sunlight filters through the old glass and marks time along the floor in angular wavy pools, getting longer and progressively taking on a more amber hue as the sun arcs across the city.

He has placed several spindly floor lamps around the loft at strategic locations; one on either side of the kitchen area, one near his studio area, one by his couch. They are all of the same design - sort of a wrought iron look to them, with ornate iron vines sprouting a small dark leaf every so often as they climb the length of the lamps.

He barely uses the lights at all – by day there is plenty of light from the windows. At night, there is usually enough ambient light from the street and other buildings for him to get around by. All of the corners are dark and cobwebby, and the place is just draped in layers of shadow. The lamps just stand there like deserted sentries, unable to fulfill their one duty. Every surface of this place is covered in a thin layer of dust that glows phosphorescently in the evening hours.

At night I can see little sparks trickle down the lamps and into the floor, which I'm assuming is some natural phenomenon that is out of the spectrum of the view of the living. It is beautiful, like a small waterfall, and it can transfix me for an entire night sometimes.

The floor is old and wooden, worn down in some areas, so the grain sticks up in ripples. The wood floor runs throughout the loft except for the kitchen, which is covered in a beautiful gray and black marble. The appliances in the kitchen are all stainless steel, and seem to be of a design more suited for a commercial rather than residential purpose. This reminded me, a little, of where I used to work when I first, and that reminder brought with it the first twinge of nostalgia I'd experienced for my old life. He does not spend much time in the kitchen - in the time I've been here, he exists mainly in the bedroom.

The bedroom is off of the kitchen, in a corner, and is not a room as such since the floor plan is so open, but it is more or less easy to spot the fuzzy borders between areas. It is fairly small and manages to somehow appear claustrophobic, due in part to the imposing bookcases that line the walls. There is a narrow galleyway between the books and his bed - he can just reach over while still lying down to pluck a book off the shelf.

A small bathroom is tucked into the bedroom area, not much bigger than a closet. It is old and echoey and lined in white ceramic tile which is dingy but not dirty-looking, more weathered or antiqued, I would say. He spends what most would say is an inordinate amount of time in here. Out of concern (or more, to be honest with myself, untoward curiosity) I looked in on him one day only to discover this is where he goes to masturbate. I was not repulsed by this discovery, at least not like I'm sure I would have been had I been alive; I felt more of a kind of sympathy and understanding. I was able from my perspective to see more than just a vulgarity, but also the motivations within this human, at least a little. And this was, in part, a mechanism; a ritual to beat off, so to speak, the demons of lonliness and despair that were so obviously plauging him. At least, it was becoming obvious to me the more I observed him.


There is a small nightstand with a lamp next to his bed which borders the edge of the sitting room. He has scattered a bunch of smooth gray pebbles and rocks over the surface of the nightstand in a more or less random manner, as if he were broadcasting flour over a marble countertop, preparing to knead dough. I recognized the rocks immediately - they were from the North Shore, near where I killed myself. (died?). There was a strange energy to them.

Friday, February 27, 2009

Notes - reluctant ghost

I've reading Contact, by Carl Sagan, and I'm starting to wonder if his technique of brief, disjointed snapshots within chapters might be the best way to relate this story...I think I'll keep my current writing style for the moment and see how that goes, only because it will be such a bitch to redo everything at this point.

We'll see.


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Listening to: Peter Gabriel - Bread And Wine
via FoxyTunes